Wednesday, October 18, 2017

Keynesian Revolution (1936)

Political Theory - John Maynard Keynes - SoL > .

● Economic Principles ..

The General Theory of Employment, Interest and Money of 1936 is a book by English economist John Maynard Keynes. It caused a profound shift in economic thought, giving macroeconomics a central place in economic theory and contributing much of its terminology – the "Keynesian Revolution". It had equally powerful consequences in economic policy, being interpreted as providing theoretical support for government spending in general, and for budgetary deficits, monetary intervention and counter-cyclical policies in particular. It is pervaded with an air of mistrust for the rationality of free-market decision making.

Keynes denied that an economy would automatically adapt to provide full employment even in equilibrium, and believed that the volatile and ungovernable psychology of markets would lead to periodic booms and crises. The General Theory is a sustained attack on the classical economics orthodoxy of its time. It introduced the concepts of the consumption function, the principle of effective demand and liquidity preference, and gave new prominence to the multiplier and the marginal efficiency of capital.
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The central argument of The General Theory is that the level of employment is determined not by the price of labour, as in classical economics, but by the level of aggregate demand. If the total demand for goods at full employment is less than the total output, then the economy has to contract until equality is achieved. Keynes thus denied that full employment was the natural result of competitive markets in equilibrium.

In this he challenged the conventional ('classical') economic wisdom of his day. In a letter to his friend George Bernard Shaw on New Year's Day, 1935, he wrote:
I believe myself to be writing a book on economic theory which will largely revolutionize — not I suppose, at once but in the course of the next ten years — the way the world thinks about its economic problems. I can't expect you, or anyone else, to believe this at the present stage. But for myself I don't merely hope what I say,— in my own mind, I'm quite sure.
The first chapter of the General theory (only half a page long) has a similarly radical tone, including:
I shall argue that the postulates of the classical theory are applicable to a special case only and not to the general case, the situation which it assumes being a limiting point of the possible positions of equilibrium. Moreover, the characteristics of the special case assumed by the classical theory happen not to be those of the economic society in which we actually live, with the result that its teaching is misleading and disastrous if we attempt to apply it to the facts of experience.

https://en.wikipedia.org/wiki/The_General_Theory_of_Employment,_Interest_and_Money .

 

Tuesday, October 17, 2017

Life and Fate (1959)

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Life and Fate (Жизнь и судьба) is a novel by Vasily Grossman. Written in the Soviet Union in 1959, it narrates the story of the family of a Soviet physicist, Viktor Shtrum, during the Great Patriotic War, which is depicted as the struggle between two comparable totalitarian states. A multi-faceted novel, one of its main themes is the tragedy of the common people, who have to fight both the invaders and the totalitarianism of their own state.

Begun by Grossman while Stalin was still alive, Life and Fate was his sequel to For a Just Cause. It was written in the 1950s and submitted for possible publication to Znamya magazine around October 1960. Very quickly after it was submitted, the KGB raided his apartment; the manuscripts, carbon copies and notebooks, as well as the typists' copies and even the typewriter ribbons were seized. The KGB did not know that he had left two copies of the manuscript with friends, one with the prominent poet Semyon Lipkin, a friend, and the other (Grossman's original manuscript) with Lyolya Klestova, often erroneously identified as Lyolya Dominikina, a friend from his university days.

On 23 July 1962, the Politburo ideology chief Mikhail Suslov told the author that, if published, his book could inflict even greater harm to the Soviet Union than Pasternak's Doctor Zhivago, speculating that it could begin a public discussion on the need for the Soviet Union. Suslov has been said to have told Grossman that his novel could not be published for two hundred years; however more recent research amongst the documents of both Grossman and Suslov, in writing about this meeting, provide no evidence for this; they doubt that Suslov actually said this. Suslov's comment reveals both the presumption of the censor and recognition of the work's lasting significance. Grossman tried to appeal against this verdict to Khrushchev personally, unaware of Khrushchev's personal antagonism towards Grossman, and misunderstanding the climate of the time.
"I ask you to return freedom for my book, I ask that my book be discussed with editors, not the agents of the KGB. What is the point of me being physically free when the book I dedicated my life to is arrested ... I am not renouncing it ... I am requesting freedom for my book."
In 1974, Lipkin got one of the surviving copies to put onto microfilm and smuggled it out of the country with the help of satirical writer Vladimir Voinovich and nuclear scientist Andrei Sakharov. Grossman died in 1964, never having seen his book published, which did not happen in the West until 1980 at the publishing house L'Age d'homme, thanks to the efforts of Shimon Markish, professor of the University of Geneva and Efim Etkind (then in Paris) who achieved the meticulous work of reading from the microfilm.

As the policy of glasnost was initiated by Mikhail Gorbachev, the novel was finally published on Russian soil in 1988 in the Oktyabr magazine and as a book.

Lion Has Wings - propaganda film #1

The Lion Has Wings is a 1939 British, black-and-white, documentary-style, propaganda war film that was directed by Adrian Brunel, Brian Desmond Hurst, Alexander Korda and Michael Powell. The film was produced by London Film Productions and Alexander Korda Film Productions and 'was preparing the nation (for war) and shining a light on the power of the RAF'.

The Lion Has Wings was made at the outbreak of World War II and was released to cinemas very quickly. It helped convince the British government of film's value for disseminating both propaganda and information.

The film opens with a newsreel-style documentary comparing life in Britain to life in Nazi Germany, narrated by E.V.H. Emmett in the upbeat and patriotic narrative style common to such newsreels in Britain. This mainly uses existing newsreel footage with some additional footage shot especially for the film. It includes scenes from Fire Over England with Queen Elizabeth I giving her speech to the troops at Tilbury about repelling invaders. It also compares the relaxed lifestyles and openness of the British Royal Family and the British people with the militarism of Nazi Germany by including footage from the Nazi propaganda documentary Triumph of the Will (Triumph des Willens).

The second chapter shows an early bombing raid on German warships in the Kiel Canal. Although it was mainly recreated in the studio, and with special effects, it also includes some footage of the real bombers and their crews returning from the raid.

The third chapter shows an attack by Luftwaffe bombers, and how it is repelled by the RAF, with assistance from the Observer Corps and barrage balloons.

At the outbreak of war, there were fears that all film production would be halted and cinemas closed, as they were during WW1. Alexander Korda was close friends with Winston Churchill, and was very aware of current events. As soon as war was declared, Korda pulled staff from other productions to fulfill his promise to Churchill that he would have a feature propaganda film ready within one month of the outbreak of war.

Since The Lion Has Wings was made before the attacks on Britain had begun, the film had to rely on existing stock footage, including sequences lifted from the air raid featurette, The Gap. Contemporary aircraft, many of which were obsolete by 1939, are a noticeable jarring element. The footage of a German bomber taking off is actually a German airliner (Focke-Wulf Fw 200); at least, it has the correct markings, but most of the biplane aircraft featured in the RAF air show were obsolete fighters. The addition of footage that was shot at operational bases, RAF Hornchurch, Hornchurch, Essex, and RAF Mildenhall, Suffolk, England, combined with studio work at Denham Studio, Denham, Buckinghamshire, UK, lent an air of authenticity to the production.

To ensure rapid progress, the film had three directors (Michael Powell, Brian Desmond Hurst, Adrian Brunel), and was shot simultaneously in various locations. ... It was all shot in 12 days, and completed in about four weeks, at a cost of just £30,000, a notable achievement in those times. Within days of its release, copies had been shipped to 60 countries. Although it is difficult to determine its actual impact on the public, The Lion Has Wings was considered a significant factor in persuading the British government to allow the film industry to continue to work, and the film was regarded as a model of how filmmakers could be an asset to the war effort.

Like many propaganda films, The Lion Has Wings does not tell the whole truth, but there are many elements of truth in it. The use of radar as a defensive measure was not mentioned, since it was still a secret. However, the bombing raids were shown first being reported by spies then confirmed by the Observer Corps, a tactic that was actually occurring as part of Britain's defensive measures. The film also shows Luftwaffe bombers trying to attack London, but being completely turned back by barrage balloons, which in reality had little effect on the raids. The use of RAF fighters intercepting and attacking enemy bombers at night was not feasible at that point. These errors or misinterpretations added to other lofty claims that Britain had sufficient aircraft in production and was quite ready to fight to counter the overwhelming numbers of Luftwaffe raiders; all purposeful exaggerations were intended to bolster morale.
https://en.wikipedia.org/wiki/The_Lion_Has_Wings .

In accordance with Operational Order B. 60 of 17 December, the targets were German warships either in port or at sea. The RAF bombers were ordered to overfly the Heligoland Bight and the port of Wilhelmshaven, attacking ships but avoiding civilian living quarters, merchant shipping or land itself.

The first Wellington, N2960, took off from RAF Mildenhall in Suffolk at 09:27 (39-12-18) with Wing Commander Richard Kellett at the controls; 9 Squadron took off from the nearby RAF Honington, formed up over King's Lynn and started out over the North Sea. No. 37 Squadron took off but missed the rendezvous and caught up with the main formation an hour later over the North Sea. Once over the Wash they set a course of 040° true, as far as latitude 55° north.
https://en.wikipedia.org/wiki/Battle_of_the_Heligoland_Bight_(1939) .

Living Soil (1943)

The Living Soil (1943) by Lady Eve Balfour is considered a seminal classic in organic agriculture and the organic movement. The book is based on the initial findings of the first three years of the Haughley Experiment, the first formal, side-by-side farm trial to compare organic and chemical-based farming, started in 1939 by Balfour (with Alice Debenham), on two adjoining farms in Haughley Green, Suffolk, England.

The Living Soil (1943) was also published as The Living Soil and the Haughley Experiment.


Towards a Sustainable Agriculture: The Living Soil by Lady Eve Balfour
This classic text on the organic movement is an address given by the late Lady Eve Balfour, author of the organics classic "The Living Soil and the Haughley Experiment", to an IFOAM (International Federation of Organic Agriculture Movements) conference in Switzerland in 1977.

"This pioneering experiment was the first ecologically designed agricultural research project, on a full farm scale. It was set up to fill a gap in the evidence on which the claims for the benefits of organic husbandry were based. It was decided that the only way to achieve this was to observe and study nutrition cycles, functioning as a whole, under contrasting methods of land use, but on the same soil and under the same management, the purpose being to assess what effect, if any, the different soil treatments had on the biological quality of the produce grown thereon, including its nutritive value as revealed through its animal consumers. This had never been done before.

Three side-by-side units of land were established, each large enough to operate a full farm rotation, so that the food-chains involved -- soil - plant - animal and back to the soil, could be studied as they functioned through successive rotational cycles, involving many generations of plants and animals, in order that interdependences between soil, plant and animal, and also any cumulative effects could manifest."

London Can Take It (1940)

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1940 London Blitz WW2: "London Can Take It" - National Archives UK > .

Propaganda film about London during World War II in color! It shows the hardship of the Londoners while being attacked by continuous German night bombardments, the so called "Blitz", which lasted for 8 months at the beginning of WW2. 

"They will drop thousands of bombs, and they will destroy hundreds of buildings and they will kill thousands of people. But a bomb has its limitations. It can only destroy buildings and kill people. It cannot kill the unconquerable spirit and courage of the people of London. London can take it".

London Can Take It! is a short British propaganda film from 1940, which shows the effects of eighteen hours of the German blitz on London and its people. Intended to sway the US population in favour of Britain's plight, it was produced by the GPO Film Unit for the British Ministry of Information and distributed throughout the United States by Warner Bros.. The film was directed by Humphrey Jennings and Harry Watt, and narrated by US war correspondent Quentin Reynolds.

The film opens with shots of the London streets in late afternoon, as people begin their commute home. The narrator reminds the audience that these people are part of the greatest civilian army the world has ever known, and are going to join their respective service before London's "nightly visitor" arrives. Listening posts are stationed as far away as the coastline and the "white fingers" of searchlights touch the sky.

Soon the Luftwaffe bombers arrive and begin their nightly work, bombing churches, places of business and homes, the work of five centuries destroyed in five seconds. But as soon as it is morning the British people go back to work the way they usually do, demonstrating the British 'stiff upper lip' attitude. Joseph Goebbels is quoted as saying that the bombings are having a great effect on British morale. He is right, the narrator says, the British people's morale is higher than ever.

Via an agreement with Warner Bros., the film was widely distributed in the United States of America by the British Ministry of Information with the intention of turning public opinion into favouring the USA declaring war on Germany. It did so particularly by depicting the war's effect on ordinary people, rather than on Britain as an outdated imperial power as she was often depicted by anti-war voices in America. A shorter domestic version was released as Britain Can Take It. The film was nominated for an Academy Award in 1941 for Best Live Action Short Film, One-Reel.

sī vīs pācem, parā bellum

igitur quī dēsīderat pācem praeparet bellum    therefore, he who desires peace, let him prepare for war sī vīs pācem, parā bellum if you wan...