Tuesday, October 31, 2017

●● Propaganda, Publications, Broadcasts

● Censorship ..
● Communications, Signals ..
● Conspiracy Theories & Cognitive Dysfunction ..
● Film, Photographs, Posters, TV ..
● Political Interference ..
● Propaganda ..
● Publications, Texts, Memoranda ..
● Social Media Propaganda ..
● Twisting History ..
Australia's War Effort (1940) ..
Banned Books ..
BBC ..
BBC - Guy Burgess ..How Civil Wars Start (2022) ..
Life and Fate (1959) ..Lying ΧίΧίРee ..
PooΧί & PooTin Propaganda (2022) ..
Propagandistic Censorship - Χίna ..Xills - Wumao Troll Farming ..

21st

Bookshelf
Bookshelf - 2023 ..
De Humani Corporis Fabrica - Vesalius (1543) ..
STG 2022 Books ..

Chronology

21st

Magazines (30s, 40s) - Chronology:


Pseudoscience, Anti-Science, LIES

Resistance

Social Media Propaganda Campaigns

Youth Magazines


Saturday, October 28, 2017

Achtung – Panzer! (1937)

Hans Guderian & "Achtung – Panzer" - WW2 > .

Achtung – Panzer! (Attention, Tank!" or, more idiomatically, "Beware the Tank!") by Heinz Guderian is a book on the application of motorized warfare. First published in 1937, it expounds a new kind of warfare: the concentrated use of tanks, with infantry and air force in close support, later known as Blitzkrieg tactics. The book also argues against the continued use of cavalry given the proven effectiveness of the machine gun, and advocates replacing the cavalry with mechanised infantry. It was never properly studied by the French or the English general staff, both of whom helped introduce the tank.

The first half of the book focuses on the advent of positional or 'trench warfare' in World War I, and the subsequent development of the first tanks. Here Guderian outlines the development of tanks and tank tactics throughout the Great War and during the interwar period. Later he discusses the effects of the Treaty of Versailles upon the German armed forces before detailing the recovery from the setbacks the Treaty caused in terms of development of mechanised forces. Guderian concludes by promoting the further development of the German tank force and providing suggestions concerning the future application of tanks and their relationship with other arms.

24-1-5 Heinz Guderian: Mastermind Of The Blitzkrieg | Tanks! | War Stories > .

AFPU - Army Film and Photographic Unit


On 6 June 1944, Sergeant Ian Grant was among the thousands of men landing on Sword Beach in Normandy on D Day, armed only with a revolver and a cine camera. He was part of the Army Film and Photographic Unit (AFPU) and captured this incredible mute footage of the landings. Fewer than a dozen men filmed the D Day landings. 

Grant's short silent footage, and more footage from D Day, on IWM's Film Archive: https://bit.ly/iwmfilm-swordbeach .

AjP - Antijüdische Propaganda

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Lying About the Jews in Film - WW2 > .

American Black Chamber (1931)

.Yardley - US Black Chamber (Military Intelligence Section 8) - UK-USA - Bletchley > .

Black Chamber - Cipher Bureau - MI-8 ..

The The American Black Chamber is a 1931 book by Herbert O. Yardley. The book describes the inner workings of the interwar American governmental cryptography organization called the Black Chamber. The cryptography historian David Kahn called the book "the most famous book on cryptology ever published." By describing the inner workings of the organization, the book created large interest and heightened public awareness of the United States's cryptographic abilities. In particular, the Japanese government became aware of the extent of experience that the American government had with cryptography and increased the strength of their own knowledge in cryptography in response. Reviewers suggested the book may have cost the United States significantly in the Pacific theater against Japan in World War 2.

The Codebreakers – The Story of Secret Writing is a book by David Kahn, published in 1967, comprehensively chronicling the history of cryptography from ancient Egypt to the time of its writing. The United States government attempted to have the book altered before publication, and it succeeded in part.

A-Tish-Oo! (1941-2)

1941 A Tish Oo! > .
Better quality (without irritating tabs) - Internet Archive > .

A [February] 1941 British film about how coughs and sneezes spread diseases. Some masks that can be worn to help stop the spread of diseases are shown. Produced by Verity Films for the Ministry of Information.

Why Londoners in the blitz accepted face masks to prevent infection – unlike today’s objectors ojectionables .

"For the countless Londoners driven into communal shelters by nightly German air raids, personal space had become a luxury. This was particularly so for those who sought shelter in the London underground. For its perceived subterranean safety, by the blitz’s peak, some 150,000 citizens were sleeping in tube stations.

Though the dangers of close personal contact were not the only thing on the minds of concerned public health officials, preventing epidemic disease in the overcrowded spaces of the tube stations was a major concern. The mask emerged as a common-sense solution to the problem of thousands of shelterers suddenly using the tube’s damp, poorly ventilated spaces as their nightly abodes.

Eager to prevent an epidemic before it started, the Ministry of Health set up an advisory committee to investigate conditions in air-raid shelters, with special reference to health and hygiene. The official call for masks came in December 1940, two months into the blitz and just as flu season was getting underway, in a white paper that recommended their use alongside a raft of other preventive health measures. British scientists conscripted to the Medical Research Council’s Air Hygiene Unit were convinced: the “principle of wearing masks for protection against droplet infection” was a sound practice.

The Ministry of Health endorsed three types of mask: the standard gauze type (similar to today’s homemade masks); a cellophane screen (like today’s visors, but only covering the mouth and nose); and the commercially available “yashmak” (in the style of the Muslim veil), for the “fashion conscious”. The ministry ordered 500,000 masks to be distributed as needed in the event of an epidemic and commissioned an instructional leaflet for shelterers.

British newspapers publicised the government’s new policy. On February 5 1941, the Times reported that Sir William Jameson, the chief medical officer, had endorsed the new masks, and, more colourfully, Ritchie Calder, a journalist for the Daily Herald tried one out in public. “After ten minutes yesterday my anti-flu ‘windscreen’ ceased to be a source of ribald remarks,” he reported. “People round me became used to seeing me working in what looked like a transparent eye-shade which had slipped down my nose.”

Predicting that masks would become “as commonplace as horn-rim glasses”, Calder wrote that he could even blow his nose with his mask on. The only thing he couldn’t do “in comfort”, he reported, was “have a cigarette”.
Sharp contrast

A short propaganda film commissioned by the Ministry of Information and released in February 1941 also saw the mask message as self-evidently good sense. “If the shelter doctor or nurse gives you a mask,” the narrator exhorted, “well, wear it!”
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Despite protests to the contrary, the source of the COVID-19 mask controversy is not rooted in longstanding concerns about individual rights or British character. We need to look elsewhere to find its source: to the general breakdown in communication and trust between experts, the government and [wrong-wing] members of the public, that became a mainstay of contemporary life well after the blitz had passed and has been exacerbated by the pandemic."
https://theconversation.com/why-londoners-in-the-blitz-accepted-face-masks-to-prevent-infection-unlike-todays-objectors-142021 .

Australian Recruitment Film

"100,000 Cobbers" is a 1942 dramatised documentary by director Ken G. Hall for the Australian Department of Information during World War II to boost recruitment into the armed forces.
 
Cinesound Productions were commissioned to make the film by the Department of Information. The original title was Democratic Army. Director Ken G. Hall said he wanted to make a featurette as opposed to a documentary film. The theme of it was to "show that a man may not have a friend in the world, but from the moment he joins the Army he has "cobbers" in plenty."

100,000 Cobbers was mostly filmed at Liverpool Military camp using national servicemen. There was also location shooting at Luna Park.


Australia's War Effort (1940)

.Australia's War Effort - Posters & Boots - BrMo > .

The Authoritarian Personality (1950)

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State-Sanctioned Scapegoating 

The Authoritarian Personality is a 1950 sociology book by Theodor W. Adorno, Else Frenkel-Brunswik, Daniel Levinson, and Nevitt Sanford, researchers working at the University of California, Berkeley, during and shortly after WW2.

The Authoritarian Personality "invented a set of criteria by which to define personality traits, ranked these traits and their intensity in any given person on what it called the 'F scale' (F for fascist)." The personality type Adorno et al. identified can be defined by nine traits that were believed to cluster together as the result of childhood experiences. These traits include conventionalism, authoritarian submission, authoritarian aggression, anti-intraception, superstition and stereotypy, power and "toughness", destructiveness and cynicism, projectivity, and exaggerated concerns over sex.

Though strongly criticized for bias and methodology, the book was highly influential in American social sciences, particularly in the first decade after its publication: "No volume published since the war in the field of social psychology has had a greater impact on the direction of the actual empirical work being carried on in the universities today."
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Authoritarianism was measured by the F-scale. The "F" was short for "pre-fascist personality." Another major hypothesis of the book is that the authoritarian syndrome is predisposed to right-wing ideology and therefore receptive to fascist governments.
...
The F scale targets an authoritarian, anti-democratic personality profile that makes a person susceptible to Fascist propaganda. The items were written in accordance to fascist propaganda materials as well as priory held TAT protocol data and interviews with ethnocentric participants.
  • Conventionalism: Adherence to conventional values.
  • Authoritarian Submission: Towards ingroup authority figures.
  • Authoritarian Aggression: Against people who violate conventional values.
  • Anti-Intraception: Opposition to subjectivity and imagination.
  • Superstition and Stereotypy: Belief in individual fate; thinking in rigid categories.
  • Power and Toughness: Concerned with submission and domination; assertion of strength.
  • Destructiveness and Cynicism: hostility against human nature.
  • Projectivity: Perception of the world as dangerous; tendency to project unconscious impulses.
  • Sex: Overly concerned with modern sexual practices. 
...
The study employs both quantitative and qualitative components. The first part of the research resembles a survey type of research with structured questionnaires. Based on the scores on the questionnaires, a smaller number of participants was elected for clinical interviews and administration of the Thematic Apperception Test. Interviews were coded with the techniques of content analysis.
...
A number of studies have examined the external criterion validity of F scale, with various demographic and political groups. Such groups included: German cosmetic factory workers (Cohn and Carsch, 1954); English fascists and communists, compared to 'politically neutral' soldiers (Coulter, 1953). Both studies found high scores (>5) in F-Scale.

However, the Coulter study also found the Communists scored higher in F-Scale than the politically neutral group. Eysenck (1954, ref. by Brown, p. 80) commented that Coulter's results indicate that the F-Scale actually measures general authoritarianism, rather than fascist tendencies in particular. (see Left-Wing Authoritarianism).

[Yet another tragic, disgusting, pointless US killing spree supports some of the conclusions of the book:] Eight dead in US spa shootings - BBC > .

"Officials say it is still too early to know whether the attack, in which six Asian women were killed, was racially motivated. The suspect may have been a patron and claimed to have a "sex addiction". Robert Aaron Long "apparently has an issue, what he considers a sex addiction, and sees these locations as a temptation for him that he wanted to eliminate.]

Friday, October 27, 2017

Banned Books

23-9-9 The murky world of banned books - RobWords > .
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23-9-12 Brainwashing Of America's School Children | Climate Town > .
...
>> Propaganda >>>
Dort wo man Bücher verbrennt, verbrennt man auch am Ende Menschen. “
“Where they have burned books, they will end in burning human beings.” ― Heinrich Heine, 1823
The Nazi book burnings were a campaign conducted by the German Student Union (Deutsche Studentenschaft, DSt) to ceremonially burn books in Nazi Germany and Austria in the 1930s. The books targeted for burning were those viewed as being subversive or as representing ideologies opposed to Nazism. These included books written by Jewish, half-Jewish, communist, socialist, anarchist, liberal, pacifist, and sexologist authors among others. The initial books burned were those of Karl Marx and Karl Kautsky, but came to include very many authors, including Albert Einstein, Helen Keller, writers in French and English, and effectively any book incompatible with Nazi ideology. In a campaign of cultural genocide, books were also burned en masse by the Nazis in occupied territories, such as in Poland.
On 6 May 1933, the Berlin chapter of the German Student Union made an organised attack on Magnus Hirschfeld's Institut für Sexualwissenschaft (roughly: Institute of Sex Research). It's assumed that Dora Richter, the first transgender woman known to have undergone sex reassignment surgery (by doctors at the institute), may have been killed during the attack.

The institute's library included around 20,000 unique works on intersexuality, homosexuality, and transgender topics. On 10 May 1933 >, the students publicly hauled the library to the Bebelplatz square at the State Opera, and burned them along with volumes from elsewhere. A total of over 25,000 volumes of "un-German" books were burned, thereby ushering in an era of uncompromising state censorship. In many other university towns, nationalist students marched in torch lit parades against the "un-German" spirit. The scripted rituals of this night called for high Nazi officials, professors, rectors, and student leaders to address the participants and spectators. At the meeting places, students threw the pillaged, banned books into the bonfires with a great joyous ceremony that included live music, singing, "fire oaths," and incantations. In Berlin, some 40,000 people heard Joseph Goebbels deliver an address: "No to decadence and moral corruption!" Goebbels enjoined the crowd. "Yes to decency and morality in family and state! I consign to the flames the writings of Heinrich Mann, Ernst GlaeserErich Kästner."

Mein Kampf (1925) ..

BBC - Guy Burgess

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>> Espionage, Intelligence >>>

Guy Francis de Moncy Burgess (16 April 1911 – 30 August 1963) was a British diplomat and Soviet agent, a member of the Cambridge Five spy ring that operated from the mid-1930s to the early years of the Cold War era. His defection in 1951 to the Soviet Union, with his fellow spy Donald Maclean, led to a serious breach in Anglo-United States intelligence co-operation, and caused long-lasting disruption and demoralisation in Britain's foreign and diplomatic services.

Born into a wealthy middle-class family, Burgess was educated at Eton College, the Royal Naval College, Dartmouth and Trinity College, Cambridge. An assiduous networker, he embraced left-wing politics at Cambridge and joined the British Communist Party

Burgess was recruited by Soviet intelligence in 1935, on the recommendation of the future double-agent Harold "Kim" Philby. Early in 1934 Arnold Deutsch, a longstanding Soviet secret agent, arrived in London under the cover of a research appointment at University College, London. Known as "Otto", his brief was to recruit the brightest students from Britain's top universities, who might in future occupy leading positions in British institutions. In June 1934 he recruited Philby, who had come to the Soviets' notice earlier that year in Vienna where he had been involved in demonstrations against the Dollfuss government. Philby recommended several of his Cambridge associates to Deutsch, including Maclean, by this time working in the Foreign Office. He also recommended Burgess, although with some reservations on account of the latter's erratic personality. Deutsch considered Burgess worth the risk, "an extremely well-educated fellow, with valuable social connections, and the inclinations of an adventurer". Burgess was given the codename "Mädchen", meaning "Girl", later changed to "Hicks". Burgess then persuaded Blunt that he could best fight fascism by working for the Soviets. A few years later another Apostle, John Cairncross, was recruited by Burgess and Blunt, to complete the spy ring often characterised as the "Cambridge Five".

After leaving Cambridge, Burgess worked for the BBC as a producer, briefly interrupted by a short period as a full-time MI6 intelligence officer, before joining the Foreign Office in 1944.

In July 1936, having twice previously applied unsuccessfully for posts at the BBC, Burgess was appointed as an assistant producer in the Corporation's Talks Department. Responsible for selecting and interviewing potential speakers for current affairs and cultural programmes, he drew on his extensive range of personal contacts and rarely met refusal. His relationships at the BBC were volatile; he quarrelled with management about his pay, while colleagues were irritated by his opportunism, his capacity for intrigue, and his slovenliness. One colleague, Gorley Putt, remembered him as "a snob and a slob ... It amazed me, much later in life, to learn that he had been irresistibly attractive to most people he met".
Old Broadcasting House, BBC's London HQ from 1932 (photographed in 2007)


Among those Burgess invited to broadcast were Anthony Blunt, several times, the well-connected writer-politician Harold Nicolson (a fruitful source of high-level gossip), the poet John Betjeman, and Harold (“Kim”) Philby's father, the Arabist and explorer St John Philby

Burgess also sought out Winston Churchill, then a powerful backbench opponent of the government's appeasement policy. On 1 October 1938, during the Munich crisis, Burgess, who had met Churchill socially, went to the latter's home at Chartwell to persuade him to reconsider his decision to withdraw from a projected talks series on Mediterranean countries. According to the account provided in Tom Driberg's biography, the conversation ranged over a series of issues, with Burgess urging the statesman to "offer his eloquence" to help resolve the current crisis. The meeting ended with the presentation to Burgess of a signed copy of Churchill's book Arms and the Covenant, but the broadcast did not take place.

Pursuing their main objective, the penetration of the British intelligence agencies, Burgess's controllers asked him to cultivate a friendship with the author David Footman, who they knew was an MI6 officer. Footman introduced Burgess to his superior, Valentine Vivian; as a result, over the following eighteen months Burgess carried out several small assignments for MI6 on an unpaid freelance basis. He was trusted sufficiently to be used as a back channel of communication between the British prime minister, Neville Chamberlain, and his French counterpart Edouard Daladier, during the period leading to the 1938 Munich summit.

38-10-6 Frederick Wolff Ogilvie ⇒ BBC Chief 6 Oct 1938 - BrMo > .

At the BBC, Burgess thought his choices of speaker were being undermined by the BBC's subservience to the government – he attributed Churchill's non-appearance to this – and in November 1938, after another of his speakers was withdrawn at the request of the prime minister's office, he resigned

As well as making programmes for the public, the wartime BBC was involved in a range of top secret activity, working with closely with the intelligence agencies and military.

MI6 was by now convinced of his future utility, and he accepted a job with its new propaganda division, known as Section D. In common with the other members of the Cambridge Five, his entry to British intelligence was achieved without vetting; his social position and personal recommendation were considered sufficient.

In mid-January 1941 Burgess rejoined the BBC Talks Department, while continuing to carry out freelance intelligence work, both for MI6 and its domestic intelligence counterpart MI5, which he had joined in a supernumerary capacity in 1940. After Germany invaded the Soviet Union in June 1941, the BBC required Burgess to select speakers who would depict Britain's new Soviet ally in a favourable light. He turned again to Blunt, and to his old Cambridge friend Jim Lees, and in 1942 arranged a broadcast by Ernst Henri, a Soviet agent masquerading as a journalist. No transcript of Henri's talk survives, but listeners remembered it as pure Soviet propaganda. In October 1941 Burgess took charge of the flagship political programme The Week in Westminster, which gave him almost unlimited access to Parliament. Information gleaned from regular wining, lunching and gossiping with MPs was invaluable to the Soviets, regardless of the content of the programmes that resulted. Burgess sought to maintain a political balance; his fellow Etonian Quintin Hogg, a future Conservative Lord Chancellor, was a regular broadcaster, as, from the opposite social and political spectrum, was Hector McNeil, a former journalist who became a Labour MP in 1941 and served as a parliamentary private secretary in the Churchill war ministry.

Burgess had lived in a Chester Square flat since 1935. From Easter 1941 he shared a house with Blunt and others at No. 5 Bentinck Street

Burgess's casual work for MI5 and MI6 deflected official suspicion as to his true loyalties, but he lived in constant fear of exposure, particularly as he had revealed the truth to Goronwy Rees, a young Fellow of All Souls College, when trying to recruit the latter in 1937. ... Always seeking ways of further penetrating the citadels of power, when in June 1944 Burgess was offered a job in the News Department of the Foreign Office, he accepted it. The BBC reluctantly assented to his release, stating that his departure would be "a serious loss".


BBC - Guy Burgess ..

Bilateral Propaganda



Blitz & Book Clubs

Book clubs and the Blitz: how WWII Britons kept calm and got reading:

"The restrictions at the beginning of the second world war affected all aspects of day-to-day life. But it was the blackout that topped most people’s list of grievances – above shortages of food and fuel, the evacuation, and lack of news and public services. Households were reprimanded and fined for showing chinks of light through windows, car lights were dimmed, and walking around, even along familiar streets, late at night became treacherous.

With the widespread limitations to free movement, the book trade was quick off the mark. Books were promoted by libraries and book clubs as the very thing to fight boredom and fill blacked-out evenings at home or in shelters with pleasure and forgetfulness. “Books may become more necessary than gas-masks,” the Book Society, Britain’s first celebrity book club, advised."
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The club was set up in 1929 and ran until the 1960s, shipping “carefully” selected books out to thousands of readers each month. It was modelled on the success of the American Book-of-the-Month club (which launched in 1926) and aimed to boost book sales at a time when buying books wasn’t common. It irritated some critics and booksellers who accused it of “dumbing down” and giving an unfair advantage to some books over others – but was hugely popular with readers.
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The Book Society guided readers through the confusion of appeasement and the run-up to the second world war with a marked increase in recommendations of political non-fiction examining contemporary geo-politics. The classic novel of appeasement was Elizabeth Bowen’s The Death of the Heart (October 1938) in which a sense of malaise and inevitability of future war haunts the characters’ desperate actions.

When Britain finally declared war against Germany in September 1939, the Book Society judges were divided [between tension-relief and dismay].
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Publishers and booksellers faced huge challenges during the second world war, including paper shortages, problems in distribution, a vanishing workforce, and bomb damage to offices and warehouses. But there were more readers – and from a wider social class – at the end of it. Demand consistently outstripped supply as consumer expenditure on books more than doubled between 1938 and 1945.
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More topical non-fiction became a priority as the devastation of the Blitz kicked in. Winged Words: Our Airmen Speak for Themselves (1941) and Into Battle: Winston Churchill’s War Speeches (1941) were especially popular.

Historical fiction was consistently in demand. Half the club’s choices in 1941 were long novels with historical settings.
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The other fail-safes in the second world war were the classics. As books already in print became scarce, the Book Society reissued new editions of Jane Austen’s Pride and Prejudice, and Tolstoy’s War and Peace and Anna Karenina."

 

igitur quī dēsīderat pācem praeparet bellum

igitur quī dēsīderat pācem praeparet bellum    therefore, he who desires peace, let him prepare for war sī vīs pācem, parā bellum if you wan...