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To influence public opinion in favor of WW1, the U.S produced films, commissioned colorful posters, published pamphlets and recruited everyday Americans to “sell the war.” These efforts helped create both modern American wartime propaganda and spurred the 20th century advertising industry.
Propaganda in the United States is spread by both government and media entities. Propaganda is carefully curated information, ideas, or rumors deliberately spread, usually to preserve the self-interest of a nation. It is used in advertising, radio, newspaper, posters, books, television and other media. Propagandists may provide either factual or non-factual information to their audiences, often emphasizing positive features and downplaying negative ones, or vice versa, in order to shape wide scale public opinion or influence behavioral changes.
The first large-scale use of propaganda by the U.S. government came during WW1. The government enlisted the help of citizens and children to help promote war bonds and stamps to help stimulate the economy. To keep the prices of war supplies down (guns, gunpowder, cannons, steel, etc.), the U.S. government produced posters that encouraged people to reduce waste and grow their own vegetables in "victory gardens". The public skepticism that was generated by the heavy-handed tactics of the Committee on Public Information would lead the postwar government to officially abandon the use of propaganda.
The 1915 film The German Side of the War was compiled from footage filmed by Chicago Tribune cameraman Edwin F. Weigle. It was one of the only American films to show the German perspective of the war. At the theater lines stretched around the block; the screenings were received with such enthusiasm that would-be moviegoers resorted to purchasing tickets from scalpers.
The 1915 film The German Side of the War was compiled from footage filmed by Chicago Tribune cameraman Edwin F. Weigle. It was one of the only American films to show the German perspective of the war. At the theater lines stretched around the block; the screenings were received with such enthusiasm that would-be moviegoers resorted to purchasing tickets from scalpers.
During WW2, the United States officially had no propaganda, but the Roosevelt government used means to circumvent this official line. One such propaganda tool was the publicly owned but government-funded Writers' War Board (WWB). The activities of the WWB were so extensive that it has been called the "greatest propaganda machine in history". Why We Fight is a famous series of US government propaganda films made to justify US involvement in World War II. Response to the use of propaganda in the United States was mixed, as attempts by the government to release propaganda during World War I was perceived negatively by the American public. The government did not initially use propaganda but was ultimately persuaded by businesses and media, which saw its use as informational. Cultural and racial stereotypes were used in World War II propaganda to encourage the perception of the Japanese people and government as a "ruthless and animalistic enemy that needed to be defeated", leading to many Americans seeing all Japanese people in a negative light. Many people of Japanese ancestry, most of whom were American citizens, were forcibly rounded up and placed in internment camps in the early 1940s.
From 1944 to 1948, prominent US policy makers promoted a domestic propaganda campaign aimed at convincing the U.S. public to agree to a harsh peace for the German people, for example by removing the common view of the German people and the Nazi Party as separate entities. The core of this campaign was the Writers' War Board, which was closely associated with the Roosevelt administration.
Another means was the United States Office of War Information that Roosevelt established in June 1942, whose mandate was to promote understanding of the war policies under the director Elmer Davis. It dealt with posters, press, movies, exhibitions, and produced often slanted material conforming to US wartime purposes.
From 1944 to 1948, prominent US policy makers promoted a domestic propaganda campaign aimed at convincing the U.S. public to agree to a harsh peace for the German people, for example by removing the common view of the German people and the Nazi Party as separate entities. The core of this campaign was the Writers' War Board, which was closely associated with the Roosevelt administration.
Another means was the United States Office of War Information that Roosevelt established in June 1942, whose mandate was to promote understanding of the war policies under the director Elmer Davis. It dealt with posters, press, movies, exhibitions, and produced often slanted material conforming to US wartime purposes.
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